Addis Goldman

  • British photographer and 3-D visuals pioneer Leo Vala presents his 1967 representation of the face of Christ made with the Turin Shroud. Photo: Douglas Miller/Keystone/Getty Images.
    books November 03, 2020

    Flash Point

    Photography and Belief by David Levi Strauss. David Zwirner Books, 2020. 96 pages.

    ON APRIL 17, 2018, a video is released by BuzzFeed of Barack Obama, sitting comfortably in the Oval Office. He turns to the camera and tells us that Donald Trump “is a total and complete dipshit.” The form of this video, if not its content, seems plausible. It is, of course, a “deepfake,” manufactured by comedian Jordan Peele using Adobe After Effects and FakeApp––generic software that employs neural networks and machine learning to generate convincing simulacra. The video isn’t all silly, though. Peele goes on to

  • View of “Casa Malaparte: Furniture,” 2020.
    picks July 08, 2020

    Casa Malaparte: Furniture

    In the filmic imaginary, Casa Malaparte in Capri, Italy, famously registers the domestic ennui at the heart of Jean-Luc Godard’s Le Mépris (1963). Conceived in its entirety—from the layout to the furnishings—by Italian novelist, political journalist, and diplomat Curzio Malaparte, the iconic structure is a matchbox-shaped, Pompeian-red stucco dwelling perched on a promontory shrouded in vegetation and encircled by the aquamarine waters of the Tyrrhenian Sea. A spectacle of landscape architecture, the home, built between 1937 and 1942, offered an ambitious vision of Italian modernism. Yet its