Agnieszka Gratza

  • picks September 23, 2011

    G.T. Pellizzi

    “Transitional,” G. T. Pellizzi’s elegant solo show, packs a lot into Y Gallery’s compact space. The building blocks of this exhibition stand in a metonymic relation to New York City at large, its explicit subject and muse. Whether in the use it makes of glazed light fixtures and painted bulbs that hark back to loft spaces before the onset of gentrification in the 1980s, or in its stark palette of unalloyed primary colors, evoking artists inspired by the city (from Piet Mondrian to Barnett Newman­­), the show captures the nostalgia to which New York is prone. Most obviously, given that the

  • picks August 03, 2011


    Much of “Ostalgia,” the New Museum’s summer exhibition dedicated to art from and about the Soviet bloc, makes for predictably grim viewing. How can we account, then, for the sense of longing and nostalgia triggered by day-to-day imagery of life within a communist regime that hardly seems a lost paradise? This question hovers over the many works in the show, curated by Massimiliano Gioni, who coined its catchy title with reference to the German word Ostalgie, expressing the yearning for a prelapsarian state before the fall of the Berlin Wall.

    Part atlas, part archive, “Ostalgia” avoids the tedium