Akram Zaatari

  • THEIR FAVORITE EXHIBITIONS OF THE YEAR

    To take stock of the past year, Artforum asked an international group of artists to select the single image, exhibition, or event that most memorably captured their eye in 2012.

    RITA ACKERMANN

    Gang Gang Dance (September 22, Cameo Gallery, Brooklyn) If materialism is the unwanted fat on our spirits, Gang Gang Dance’s music is the blade that cuts it all off. Their sounds burn up that heaviness of need and greed and lift the spirits to other dimensions. A hundred years ago, Rudolf Steiner wrote The Philosophy of Freedom and feverishly lectured about protective space and other visionary ideas to

  • THE BEST BOOKS OF 2010

    Thirteen scholars, critics, writers, and artists choose the year’s outstanding titles.

    T. J. CLARK

    No great surprise about my book of the year. I had been waiting for Michael Fried’s The Moment of Caravaggio (Princeton University Press) ever since hearing him present an early version of its opening ideas in Berkeley years ago, and when the volume arrived it took me by storm. I have never understood the churlishness of so much mainstream art history when confronted with the latest episode in Fried’s lifelong research project, but no doubt there will be the usual rolling of eyes in certain quarters

  • THEIR FAVORITE EXHIBITIONS OF THE YEAR

    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions were, in their eyes, the very best of 2007. Contributions by ten of those artists have been reproduced below. For the rest, see the December issue of Artforum.

    CATHERINE SULLIVAN

    Daniel Mendel-Black, “The Paintings Are Alive” (Mandarin Gallery, Los Angeles) The eleven paintings in this show seemed to create a place for the palette of Play-Doh to oppress acrylic and oil into some perilous graphic universe of cynical optimism. Looking is like falling in these paintings; your eyes are