The thirteen paintings in John Zurier’s solo exhibition—obliquely derived from the atmospheric conditions of Berkley, California, and Reykjavík, Iceland—affirm the artist as a deft painter of weather and light. For over two decades, Zurier’s gestural works have made the most of his preferred medium’s essential ingredients: color and surface. His intimately scaled canvases usually express an affinity for a pared-down palette of warm and cool grays. Yet this presentation offers a few lively exceptions.

Three commanding pieces from the series “North from Here” (all works 2019) hang together on the