Àngels Miralda

  • View of “There is a story about a woman who / Hi ha una història d'una dona que / Hay una historia de una mujer que,” 2020.
    picks August 28, 2020

    Irene Solà

    A narrative circulates from ear to mouth, mutating into varied contexts, sometimes traversing continents. It can become a myth—more diffuse and powerful than a piece of text, an engraved image, or a whispered folktale. As it moves across the earth, it picks up new adaptations.

    In both her artistic and literary practice, Irene Solà traces these meandering paths, some of which proliferate and others of which die. In her current solo exhibition, “There is a story about a woman who / Hi ha una història d'una dona que / Hay una historia de una mujer que,” she focuses on a provocative image that has

  • View of “Rosana Antolí,” 2020, CentroCentro, Madrid. Photo: Dominik Schulthess.
    picks March 25, 2020

    Rosana Antolí

    Bolstered by its continuous, hypnotic soundtrack, Rosana Antolí’s solo exhibition gesturally regresses to humanity’s primordial origins. Lining the exposed corridors of Madrid’s Cybele Palace, the show—an exploration of our shifting oceans, which are slowly being eclipsed by rising sea levels and expanding populations of poisonous jellyfish—winds through the baroque edifice in a tentacular circuit. Though the films, paintings, and sculptures on display, Antolí proposes that understanding these gelatinous organisms might be key to human adaptation and survival.

    Antolí’s previous works have considered