ANNE COLLIER

  • the best of 2016

    TO TAKE STOCK OF THE PAST YEAR, ARTFORUM ASKED AN INTERNATIONAL GROUP OF ARTISTS TO SELECT A SINGLE IMAGE, EXHIBITION, OR EVENT THAT MOST MEMORABLY CAPTURED THEIR EYE IN 2016.

    ALEX HUBBARD

    Rodin’s The Thinker, 1880–81, after a bomb planted by the Weather Underground exploded on March 24, 1970, at the Cleveland Museum of Art. Photo: C. D. Moore.

    ANNE COLLIER

    Portrait of Hilton Als by Catherine Opie, wrapped in bubble plastic, as it appeared in “James Baldwin/Jim Brown and the Children,” curated by Als for the Artist’s Institute, New York, June 14.

    SLAVS AND TATARS

    A disposable, self-administering

  • The Best Exhibitions of 2005

    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions were, in their eyes, the very best of 2005.

    MARTIN CREED

    “Edward Munch by Himself” (Royal Academy of Arts, London) This show gave me butterflies, screwed me up, and made me cry.

    AA BRONSON

    John Baldessari, “A Different Kind of Order” (Museum Moderner Kunst, Vienna) I rarely go to exhibitions these days. Perhaps I’m too jaded. But the Baldessari retrospective was something else. Focusing on his production from 1962–84, it was notable for its curatorial indifference to the marketplace—so