Arthur Ou

  • Left: Thomas Ruff, ma.r.s.05 III, 2012, chromogenic print, 100 3/8 x 72 7/8”. Right: Thomas Ruff, 3D-ma.r.s.11, 2013, chromogenic print, 100 3/8 x 72 7/8”.
    interviews April 12, 2013

    Thomas Ruff

    Over the past thirty years, Thomas Ruff has engaged with various photographic genres, from portraiture to reportage to astronomical imagery. His current exhibition at David Zwirner in New York consists of two bodies of work: new abstract photograms and the “ma.r.s” series. The latter extends several themes from his previous output: fascination with the cosmos, 3-D imaging, and an equivocation between fact and fiction. Below, Ruff discusses the impetus behind these chromogenic prints. The show is on view until April 27, 2013.

    I’VE ALWAYS LOVED ASTRONOMY. After I finished high school, I was faced

  • Today Is the Day inaugural fundraising gala and art auction benefit at the Jane Ballroom, New York, November 27, 2012. Photo: Michelle Wang.
    interviews February 21, 2013

    Noritoshi Hirakawa

    Noritoshi Hirakawa is a New York–based Japanese artist, filmmaker, and producer. Last year he spearheaded the formation of the Today Is the Day Foundation, a nonprofit based in Hiroshima, which has begun working on diverse art projects. The foundation held a gala in November 2012 to benefit children impacted by the disaster in Fukushima. Here Hirakawa discusses the impetus behind the project and some of its goals.

    FOR A LONG TIME, maybe a decade now, I’ve been meeting with people related to the Fluxus and Conceptual art movements. Fluxus had a vision of how to change society. In a somewhat similar

  • Gabriel Orozco, Astroturf Constellation (detail), 2012, 1,188 found objects, including plastic, glass, paper, metal, and other materials, and thirteen photographic grids, framed, each comprising 99 chromogenic prints. Found objects: overall dimensions vary with installation; photographs: each print 4 x 6”, each grid 48 1/2 x 58 x 2”.
    interviews November 10, 2012

    Gabriel Orozco

    Gabriel Orozco’s “Asterisms,” at the Guggenheim Museum in New York, presents two recent bodies of work that encapsulate several recurring ideas in his output: erosion, everyday materials, and a friction between the natural environment and society. Throughout, the exhibition emphasizes Orozco’s delicate observation of how we construct private and individual systems of categorization. The show runs through January 13, 2013.

    IN 2008, I went to the Isla Arena in the bay of Guerrero Negro, Mexico, to collect whale skeletons for the National Library in Mexico. It’s an island, a national park, and a

  • Left: Zoe Leonard, Arkwright Road (detail), 2012, lens, darkened room, dimensions variable. Installation view.
    interviews April 05, 2012

    Zoe Leonard

    Zoe Leonard has been producing photographic works and installations since the 1980s. Two years ago, she began transforming exhibition spaces into camera obscuras, turning interiors into darkened chambers that reflected the illuminated scenes outside. A new solo show by Leonard at the Camden Arts Centre in London, “Observation Point,” includes a new camera obscura, along with a series of “Sun Photographs” and an installation of postcards. The exhibition runs through June 24, 2012.

    IN RECENT YEARS I’ve been asking myself basic questions about what photography is; what a photograph is and what it

  • Paul Graham, East Broadway, 7th April 2010, 4.03.42 pm, 2009, pigment print mounted on Dibond, each 56 x 74 1/4".
    interviews March 03, 2012

    Paul Graham

    Paul Graham is a British artist based in New York and a recipient of a 2010 Guggenheim Fellowship in the category of photography. His latest body of work is on view in “The Present” at the Pace Gallery until March 24. In conjunction with the exhibition, MACK will publish a monograph of his new work. Here, Graham discusses the sixteen diptychs and two triptych photographs in the show.

    THESE ARE NEW YORK STREET PHOTOGRAPHS, that unique genre of photography where you dance with the Brownian motion of life. To photographers, street photography is a Himalayan range that the foolhardy pit themselves

  • Left: Robert Adams, Longmont, Colorado, 1979, black-and-white photograph, 5 x 5”. Right: Robert Adams, Lakewood, Colorado, 1968–71, black-and-white photograph, 5 13/16 x 5 5/16”.
    interviews September 26, 2011

    Robert Adams

    For the past forty-five years, the influential photographer Robert Adams has chronicled the changing landscapes of the American West. The Yale University Art Gallery has organized “The Place We Live,” a traveling retrospective of more than two hundred of his images, which is on view at the Denver Art Museum September 25–January 1, 2012.

    WHEN BUSTER KEATON was asked to analyze a film that he’d made, he answered, with every artist’s experience on his side, “I don’t feel qualified to talk about my work.” Amen. But . . . for what it is worth, here’s a little background and a thought or two.

    I began

  • View of “The Mind’s Image of Itself #3, a play of architecture and the mind,” 2011.
    interviews September 20, 2011

    Joseph Kosuth

    Since the 1960s, Joseph Kosuth has pursued a language-based conceptual practice, which has taken the form of publications, exhibitions, and public art commissions. His latest exhibition is at Sprüth Magers in London, where he has subtly altered the Georgian and Victorian architecture of the gallery. The show is on view until October 1.

    THE WORK JUST CAME TO ME, as it so often happens, while I was reading a book that was recommended to me by my partner. It had been a source for her own work these past months. The book is Architecture from the Outside by Elizabeth Grosz, and it discusses the

  • Merce Cunningham, Event, 2010. Performance view, Israel Museum, Jerusalem, June 10, 2011. Merce Cunningham Dance Company. (Photo: Barak Aharon.)
    interviews June 25, 2011

    Itay Mautner and Naomi Bloch Fortis

    The inaugural Jerusalem Season of Culture, a multidisciplinary cultural celebration that began in May with a philosophy festival and will feature performances by Steve Reich and Renée Fleming in addition to several other events, runs through the end of July. Here, Itay Mautner, the artistic director, and Naomi Bloch Fortis, codirector, discuss the scope of the project.

    JERUSALEM IS an exceedingly distinct city, given its complexity and everyday reality. When we decided to create this season three years ago, we wanted to highlight the very vibrant and dynamic cultural scene that enlivens this

  • Left: Mark Wyse, Linda, 2009, color photograph, 15 x 19 1/2“. Right: Mark Wyse, La Jolla, 2009, color photograph, 15 x 19 1/2”.
    interviews May 05, 2011

    Mark Wyse

    Mark Wyse is a Los Angeles–based photographer whose second artist book, Seizure, is published by Damiani Press and designed by Project Projects. It also includes an essay by Charlie White. A version of this work was exhibited last spring at Wallspace in New York.

    WITHOUT THINKING TOO MUCH I make and collect a bunch of photographs over a period of time. Then I get bored and go in divergent directions, playing with relationships and associations between photographs until I break down from thinking too much. The neurotic resolve by working through this process becomes the platform for the project.

  • Left: Stan Douglas, Demobilization Suit, 1945, 2010, acrylic on digital fiber print mounted on Dibond aluminum, 59 x 48”. Right: Stan Douglas, Rings, 1947, 2010, digital fiber print mounted on Dibond aluminum, 35 5/8 x 28 1/8”.
    interviews April 18, 2011

    Stan Douglas

    Stan Douglas is well known for his installations, films, and photographs that evoke historical events and outdated technologies. His latest exhibition, “Midcentury Studio,” examines the rise of press photography in North America. The show is on view at David Zwirner Gallery until April 23.

    THIS PROJECT BEGAN when I was doing research about the corruption of the police force in Vancouver in the 1950s, and about a photojournalist named Raymond Munro who broke a story about a dishonest police chief. Munro was an aviator during World War II; he came back from the war and heard of a job as an aerial

  • Views of “The Colour Is Bright the Beauty Is Generous," 2010. (Photos: Massimo Listri)
    interviews January 18, 2011

    Michael Lin

    Michael Lin’s exhibition at the Centro per l’Arte Contemporanea Luigi Pecci in Prato, Italy, features forty-one works from twenty-four different projects created over the past fifteen years––including his floral patterned architectural interventions and his prior installations that have been cited by critics as early examples of relational aesthetics. For the show, which is on view until February 13, Lin collaborated with the architectural firm Atelier Bow Wow to create a new work, Book Metropolis.

    “THE COLOUR IS BRIGHT THE BEAUTY IS GENEROUS,” the title of the exhibition, was taken from a

  • Left: The exterior of the Taipei Contemporary Art Center. Right: TCAC’s office.
    interviews March 27, 2010

    Manray Hsu and Jun Yang

    After five months of intense preparation, the Taipei Contemporary Art Center, an independent initiative founded by artists, curators, critics, and cultural activists, opened on February 27. Here, two of the founders, curator Manray Hsu and artist Jun Yang, speak about the project’s beginnings and aspirations.

    THE IDEA FOR THE SPACE stems from Jun’s work that was in the 2008 Taipei Biennial. He proposed a project that provoked questions about the conditions of exhibiting contemporary art. It began with the wall––whose wall is that? Who is paying for it? Is it a private space, a governmental space,