
Catherine Wood
1 “RADICAL WOMEN: LATIN AMERICAN ART, 1960–1985” (HAMMER MUSEUM, LOS ANGELES; CURATED BY CECILIA FAJARDO-HILL AND ANDREA GIUNTA WITH MARCELA GUERRERO AND CONNIE BUTLER) I was thrilled and humbled to visit this expansive, deeply researched show at the game-changing moment #MeToo was breaking. The exhibition testified to the drive of so many women artistswho were very often working under repressive, authoritarian, and violent regimesto take control of their own bodies as independent aesthetic, political, and sexual territories. The show brought visibility to marginalized practices