
“Kazimir Malevich and The Russian Avant-Garde”
Reconstructing a core component of the 1915 Suprematist exhibition “0.10.,” New York’s Museum of Modern Art installed a dazzling wall of Malevich paintings for its recent show “Inventing Abstraction,” demonstrating the affective power of the Russian artist’s precise geometries and the necessity of seeing them in a historically specific framework. This fall, the Stedelijk will place Malevich even more firmly in context as it gathers some five hundred items (uniting its own prized Khardzhiev collection with the renowned Costakis collection), including pieces