Cora Fisher

  • Maia Cruz Palileo, Lover at Woodland Creek (Bat’s Land), 2018, oil on canvas, 52 x 62".
    picks June 05, 2018

    Maia Cruz Palileo

    The canvases are still fragrant with drying oil paint in Maia Cruz Palileo’s solo exhibition here. This only adds mystique to the dusky tropical scenes—a thick stew of Filipino, American, and Spanish history. Last summer in Chicago, where the Filipina American Palileo once lived, the artist excavated ethnographic photos of the Philippines’ indigenous people at the Newberry Library, taken by American zoologist Dean C. Worcester in the late 1800s and early 1900s. The pictures were meant to lubricate the American imperialist campaign after the US purchased the country from Spain in 1898. The artist

  • picks November 29, 2017

    Zarouhie Abdalian

    Zarouhie Abdalian’s exhibition “To History” pays tribute to the early industrial laborer, the proletarian figure whom Émile Zola’s novel Germinal (1885) described en masse as an “avenging army” that would soon “overturn the earth.” Abdalian’s offerings here—husks of toilsome manual work—bring a material surrogacy for the miner and the migrant.

    A fleet of nicked steel hand tools, all titled brunt (all works 2017), stands positioned on white pedestals. Abdalian’s Hydrocal relief casts, “from chalk mine hollow,” offer a delicate counterpoint, with chisel marks, an occasional dramatic gouge, and