
Hans-Christian Lotz
The works: all Untitled, 2020, organized in two groups. The exhibition: likewise untitled. Additional information: nil. Hans-Christian Lotz clearly didn’t much care to communicate with the audience or provide any overarching ideas for context. And the objects on view seemed to insist on the hard facticity of their industrial materials, some nerdily technical, others metallically cold, but all appearing peremptory and forbidding.
The gearhead faction consisted of three pieces in which metal rods, looking a bit like inverted pendulums, are each topped with a single flower. The thin shafts mounted