Emmalea Russo

  • Maysha Mohamedi, Golliwogg's Cakewalk, No. 6 (Debussy), 2020, oil and enamel on canvas, 17 x 15".
    picks May 08, 2020

    Maysha Mohamedi

    In alchemy, the action happens inside the vessel: The container is typically transparent, which allows us to see the grit of transmutation. The ten paintings that comprise Maysha Mohamedi’s “Salt Pepper Prophecy” transform lyrical abstraction into a kind of visual hermeneutics. The works are more than pretty: Mohamedi seems to be impelled by a quest for truth—the darker, freakier parts of living and the imperfect beauty of daily life. Her palette is inspired by an illustrated cookbook that was published by Family Circle in 1972. Cooking, another alchemical proposition, combines mathematics and

  • Hilary Pecis, Winter Room, 2020, acrylic on canvas, 62 x 50".
    picks March 12, 2020

    Hilary Pecis

    Los Angeles, Jean Baudrillard once wrote, “is in love with its limitless horizontality, as New York may be with its verticality.” Perhaps a requisite for a dalliance with horizontality is a sense of slowness, an abiding attendance to the plane. This notion seems central to LA-based painter Hilary Pecis’s “Come Along With Me,” her second solo show here, which invites the viewer into lusciously personal environs. Although figures don’t figure heavily, the fourteen acrylic paintings are quietly flamboyant with humanity. The viewer bears witness to Pecis’s life indirectly, via bits of accrued evidence