
HIGHER FREQUENCIES
HIS HANDS SWAY back and forth as if he is conducting an invisible orchestra. They rarely touch his instruments, which spill across the limestone floor in a tangle of wires and electronic panels; activated by motion sensors, their ethereal sounds echo through the hall. Tarek Atoui is mesmerizing to watch, unusually so for an artist who began his career as a DJ almost three decades ago, and as the sun finally sets behind the vaulted clerestory windows of Luxembourg’s Musée d’Art Moderne Grand-Duc Jean—a cathedral-like space designed by I. M. Pei—his performance crescendoes to a rumbling climax.