Felix Bernstein

  • books November 12, 2019

    Notes on Cant

    Composed over the past decade, Masha Tupitsyn’s Picture Cycle (2019) is a book of essays that considers the shift from analog to digital as an analogy for the psychic turn to binary, reactive, accelerated, and impatient spectatorship. Expanding the style of her 2007 book, Beauty Talk & Monsters, Tupitsyn combines criticism, philosophy, and autobiography to create pathways out of our current melancholic replay and media narcissism. Deftly recording the cultural loss of the cinematic sensibility in culture, she simultaneously confronts lost time, lost desire, and lost love. Tupitsyn’s singular