Fuck Theory

  • performance August 20, 2018

    Secret Side

    THE FIRST TWO DECADES of the twenty-first century have taught us that, in the future, everyone who already was famous for fifteen minutes will be exhumed from the archives and remixed, reissued, or rebooted. In an age of curated ephemera mediated by the cliquish logic of hipster exclusivity, I’m surprised that Nico’s face doesn’t cross my Tumblr dashboard more often. Then again, I mostly follow gay porn blogs on Tumblr. At this timely juncture arrives Nico, 1988, a new biopic written and directed by Susanna Nicchiarelli, with Trine Dyrholm in a spectacular, uncanny performance as Nico. The film

  • diary January 12, 2018

    Shining Armory

    THE PARK AVENUE ARMORY has two consistent modes: The first is to overwhelm; the second is to inspire a quiet conviction that you’re missing something amazing in another part of the building.

    Both struck with full force recently during the Shape of Things, a massive convening to mark the end of Carrie Mae Weems’s yearlong residency. Weems invited dozens of participants “to join her in a critique of our tumultuous political and social climate,” filling the gilded, schizo-baroque rooms and halls with a dazzling mix of artists, thinkers, and impresarios. The word “critique” is perhaps misleading;

  • performance July 19, 2017

    Arca Covenant

    AMONG THE PECULIARITIES of our current moment is an unprecedented willingness to give attractive, clearly male-presenting individuals radical gender points for wearing heels in public. That post-Butlerian zeitgeist certainly isn’t hurting the popularity of Venezuelan performer/producer Arca, and it probably explains the presence of the “I shop at Nasty Pig on lunch break from my Manhattan gallery job” contingent at his show at Brooklyn Steel earlier this month. But Arca taps into a much deeper and more powerful tradition of queer experimentation—less RuPaul’s Drag Race and more COIL’s soundtracks

  • slant December 13, 2016

    Shock Waves: A Syllabus for the End Times

    A SYLLABUS FOR THE END TIMES

    or, A Few Thoughts About Thinking at What Might Turn Out to Be the Beginning of the End of the World

    Take a deep breath.

    I mean it.

    Take a deep breath.

    Now exhale.

    OK.

    I’D LIKE TO START WITH A SIMPLE BUT EXPANSIVE ASSERTION: The fundamental epistemological problem of recent intellectual history has been the privileging of contradiction over contrariety.

    To put it simply, contradiction is an opposition between “this” and “not-this.” Only one of the two can obtain at once; only one half of a contradiction can be true at once. A contrariety, on the other hand, is an opposition