Gaby Cepeda

  • picks February 09, 2018

    Guillermo Gómez-Peña

    Viewers are welcomed into this exhibition by La Loca, 2010, an enlarged tarot card featuring a nude and saintly Guillermo Gómez-Peña, the performance artist, writer, activist, and educator whose experiences on both sides of the Mexico–United States border have fueled what he calls an “aesthetics of juxtaposition,” an art practice that points furiously at the contradictions of identity.

    The retrospective spans two large galleries and a video room, comprising photographs, books, pamphlets, mementos, and costumes in which pastiche is process and false opposites are confronted: documented and