Jane McFadden

  • passages May 07, 2018

    Marcia Hafif (1929–2018)

    AT DIFFERENT POINTS IN HER CAREER, Marcia Hafif proposed a cave, a solitary room with no distractions, and a lusthus (gazebo) in the middle of a remote forest as appropriate environments for and as art. Within the contemporary milieu, such possibilities promise particular grace, sheltering us from the chaos by which we find ourselves surrounded. She was not suggesting escape, however, for she also engaged consistently in an ongoing practice: studiously, carefully, one stroke after another. Nor was this proposal insular. Hafif’s almost lifelong practice of mark-making toward seemingly monochromatic

  • BRYAN STEVENSON

    AT THE NATIONAL MEMORIAL for Peace and Justice, which overlooks downtown Montgomery, Alabama, more than eight hundred steel monuments hang, bearing the weight of over four thousand lynchings. A few blocks away, the Legacy Museum: From Enslavement to Mass Incarceration chronicles the history and continued presence of racial violence in America. Opened in April, these two cultural sites were created by the Equal Justice Initiative (EJI) under the leadership of Bryan Stevenson in order to rewrite, and set right, the narratives regarding the African American experience. EJI was founded in 1989 and

  • interviews April 27, 2018

    1000 Words: Bryan Stevenson

    AT THE NATIONAL MEMORIAL for Peace and Justice, which overlooks downtown Montgomery, Alabama, more than eight hundred steel monuments hang, bearing the weight of over four thousand lynchings. A few blocks away, the Legacy Museum: From Enslavement to Mass Incarceration chronicles the history and continued presence of racial violence in America. Opened in April, these two cultural sites were created by the Equal Justice Initiative (EJI) under the leadership of Bryan Stevenson in order to rewrite, and set right, the narratives regarding the African American experience. EJI was founded in 1989 and