Janique Vigier

  • Jackie Raynal, Deux Fois, 1968, 35 mm, black-and-white, sound, 72 minutes.
    interviews February 16, 2021

    Jackie Raynal

    Jackie Raynal, the French director, editor, and former programmer of New York’s Bleecker Street and Carnegie Hall cinemas, first became involved in film when, riding through Paris on a Vespa in 1958 at the age of eighteen, she was stopped and asked to be an extra in Otto Preminger’s Bonjour Tristesse. Six years later, she was the youngest head editor in France. She later became a key member of the storied Zanzibar Group, whose films anticipated and then mourned the events of May 1968. Deux Fois, Raynal’s stark, elegant 1968 directorial debut, is made under its sign. This work, and her later New

  • Bernadette Mayer, Memory (detail), 1971, approx. 1,100 wall-mounted C-prints, dimensions variable.
    interviews May 25, 2020

    Bernadette Mayer

    “I should have become a thief,” Bernadette Mayer tells me. “I would’ve made more money, maybe.” For Mayer, thievery and poetry are not so different, property itself being theft, which is also true of poetry, because who do words belong to? It’s this periphrastic logic that runs through Memory, the durational experiment Mayer performed in July 1971, shooting one roll of 35-mm slide film a day and keeping a rigorous diary. First presented as an installation of 1,116 photographs accompanied by handwritten notes and a six-hour audio recording of the entire text at Holly Solomon’s 98 Greene Street