Jared Quinton

  • picks February 12, 2018

    Jennie C. Jones

    Equal parts spare and sumptuous, Jennie C. Jones’s exhibition is a celebration of return, in more ways than one. It’s the artist’s first solo exhibition in this city, where she lived while attending the School of the Art Institute of Chicago in the early 1990s. Moreover, the works on view show Jones returning to earlier experiments with the materiality of sound, embracing modes that predate the more formally resolved works, commonly called her “acoustic paintings,” for which she is best known.

    Referencing the practice of takes—the studio recordings occasionally released as alternate tracks—the

  • picks September 24, 2017

    “Let Me Be an Object That Screams”

    As powerful men set the world around us on fire, philosophical challenges to anthropocentrism can seem futile. From object-oriented ontology to theories of the posthuman, however, much recent effort has been spent complicating the Enlightenment ideal of man as distinct from nature and thus able to master it through knowledge or industry. In this group show, organized by Matt Morris, artistic practice and exhibition-making prove fertile grounds to explore de-hierarchized ways of negotiating the material world.

    Taking its title from Clarice Lispector, the show offers sculptures and images (moving