Jeanne Dreskin

  • View of “All Hands on Deck,” 2018.
    picks February 15, 2018

    “All Hands on Deck”

    In her 1994 book The Body in Pieces: The Fragment as a Metaphor of Modernity, the late art historian Linda Nochlin analogized representations of the disintegrated figure to tumultuous moments in the modern period’s political and metaphysical flux. While she linked some examples to the era’s chaotic break from antique notions of unification and permanence, Nochlin argued that others gestured to literal experiences of violence by communities under assault. The logic of the rich array of works in this exhibition bears resemblance to Nochlin’s own in how it addresses social regulation of bodies in

  • Jagdeep Raina, From dawn till dusk, we watched helplessly as you drove away, leaving us with nothing more then these bitter tastes and memories, 2015, mixed media on paper, 50 x 60 1/2".
    picks October 09, 2017

    Jagdeep Raina

    Amid the polarizing global immigration discourses currently seething, a group of Jagdeep Raina’s works on paper reassesses a historic episode among Punjabi populations living within Canadian borders. Working mostly from memory, the artist drew several archival photographs of a 1949 visit to a Sikh temple in Vancouver by India’s first prime minister, Jawaharlal Nehru. Nehru’s role in negotiating India’s independence had drawn the ire of many Sikhs, particularly in Punjab, whose 1947 partition along religious lines resulted in immense violence and the displacement of millions when India and Pakistan