Joachim Pissarro

  • Thomas Kinkade, Sweetheart Cottage III, The View from Havencrest Cottage, 1994, oil on canvas, 18 x 24". © 1994 Thomas Kinkade.

    Thomas Kinkade

    Thomas Kinkade: The Artist in the Mall, edited by Alexis L. Boylan. Durham, NC: Duke University Press, 2011. 320 pages. $26.

    THOMAS KINKADE’S ART IS EVERYWHERE: An estimated one in twenty American homes owns a print of his work. At the same time, his pictures are nowhere to be seen in the art world, where they are reviled, if not simply ignored. Why? This is not a question of quality per se: It is hardly polemical to suggest that his pictures bear comparison with canonical works of art history. His Jerusalem Sunset, 2006, for example, brings to mind Corot’s Roman scenes. Other pictures—those

  • Police officers patrolling the streets of Tarnac, France, November 11, 2008. Photo: Thierry Zoccolan/Getty Images.


    Every year Artforum invites a spectrum of scholars, critics, and writers to reflect on the year’s outstanding titles.


    Once upon a time in Paris, there was a short-lived meeting place in the form of a journal called Tiqqun, which, in two volumes, published anonymous philosophical writings that combined resonances of Agamben, Benjamin, Foucault, Heidegger, and Schmitt. Then there was no more Tiqqun, or Tiqqun went on hiatus. Its dissolution, according to rumors, had something to do with 9/11 and disagreements over the way to proceed in its wake. Sometime after this, an anonymous video,

  • “Le Grand Monde d’Andy Warhol”

    With an ingenuous but almost untranslatable title, “Le Grand Monde d’Andy Warhol” expands on two floors of the Galeries Nationales du Grand Palais in Paris. (Translated by the museum as “Warhol’s Wide World,” the English title fails to capture the double entendre of “high society” that the phrase “grand monde” entails.) Comprising more than four hundred paintings, photographs, Polaroids, films, and other documents, this vast exhibition brings together the largest number of Warhol portraits ever shown. Portraits of living subjects, almost always commissioned, are seen in the wider context of