Jonah Westerman

  • CROWD CONTROL

    IN 1792, Robert Barker, the Irish painter and inventor, exhibited a 360-degree view of London as seen from the roof of Albion Mills, a flour mill roughly five hundred feet west of where Tate Modern now stands. His “panorama” and others like it were technological marvels, popular attractions that rendered sweeping landscapes—both foreign and domestic, historical and contemporary—from the standpoint of an all-seeing visitor, the sublimity of the ungraspable world translated for ready capture by the centered individual. London from the Roof of the Albion Mills triumphed in Leicester Square before