Kaegan Sparks

  • picks October 22, 2019

    Fernando Bryce

    Milton Friedman appears kitty-corner to John Travolta in The Decade Review, 2019, a panoramic installation of 110 ink-drawn facsimiles of 1970s print media by Peruvian artist Fernando Bryce. The dust jacket of Friedman’s Free to Choose (1980), a pop organ of Chicago School economics, chafes against a South American movie poster for Saturday Night Fever (1977) featuring the fast-and-loose disco king Tony Manero. In Bryce’s matrix, the ad becomes a fraught document of both cultural and economic imperialism, reminding us that in the 1970s Chile became a portentous test site for Friedman’s crusading

  • TALES FROM THE CRYPT

    The Glen Park Library: A Fairy Tale of Disruption, by Pamela M. Lee. New York and San Francisco: No Place Press, 2019. 112 pages.

    IN OUR NEOLIBERAL GILDED AGE, it has become commonplace, even banal, for tech barons and venture capitalists to style themselves “disruptors” and “revolutionaries.” Both designations trade on heroic machismo to repackage corporate greed as the glorious stuff of myth. Flash points and pivots are sexy, after all, and even better when inflated with historic consequence. But culture, too, succumbs to the seductive cast of epoch-making violence; “disruption” is also the