Katherine Dieckmann

  • All Over Me

    CLAUDE (ALISON FOLLAND) keeps a fun house–style mirror in the kitchen of the apartment she shares with her mom, the kind of mirror that makes even an average-sized human look like a stumpy whale. When Claude, a henna-haired fifteen-year-old who dresses in what can only be called husky sizes, and her blonde waif of a best friend, Ellen (Tara Subkoff), pass the mirror one afternoon, they fall into a mock-sex routine: Claude, in baggy shorts and tee, playing the butch dude, Ellen his/her femmy conquest. The girls start humping away, grunting and giggling at their warped images. Reflected behind

  • The Mekons

    IT’S A COMPLIMENT to say that virtually everything in the Mekons United catalogue reads like a practical joke. Of course, there really must be a Polk Museum of Art in Lakeland, Florida, where THE MEKONS—that rowdy, collectivistic, erstwhile punk band founded in Leeds in 1977—hung their group-made paintings and other visual and verbal effluvia this spring. But despite the catalogue’s posh design and the genuine Mekons CD slipped in the back sleeve, Mekons United gleefully begs to be interrogated for its authenticity, if not its authorship.

    This is, no doubt, just as the band, or more exactly its