Khalil Joreige

  • the best of 2016

    TO TAKE STOCK OF THE PAST YEAR, ARTFORUM ASKED AN INTERNATIONAL GROUP OF ARTISTS TO SELECT A SINGLE IMAGE, EXHIBITION, OR EVENT THAT MOST MEMORABLY CAPTURED THEIR EYE IN 2016.

    ALEX HUBBARD

    Rodin’s The Thinker, 1880–81, after a bomb planted by the Weather Underground exploded on March 24, 1970, at the Cleveland Museum of Art. Photo: C. D. Moore.

    ANNE COLLIER

    Portrait of Hilton Als by Catherine Opie, wrapped in bubble plastic, as it appeared in “James Baldwin/Jim Brown and the Children,” curated by Als for the Artist’s Institute, New York, June 14.

    SLAVS AND TATARS

    A disposable, self-administering

  • Joana Hadjithomas and Khalil Joreige, Latent Images, Drawer of Films (Extracts), Films from 4/11/98 to 11/04/99 (#809-956), 1997–2006, C-print, 18 1/2 × 22 7/8". From “Wonder Beirut,” 1997–2006.

    Joana Hadjithomas and Khalil Joreige

    FOR TEN YEARS, between 1997 and 2006, we took photographs of our daily life in Beirut. We never developed these images, however; instead, we wrote descriptions of each snapshot in a series of notebooks, creating a photographic diary that could be read but not seen. It was an attempt to capture the feeling of latency that haunted Beirut, an effort to show the complexity of the city, the density of situations, the aftermath of the war and its consequences for representation.

    We took the photos under the guise of a fictional character named Abdallah Farah. The project is therefore a kind of