Ron Baron’s Beyond-Beyond, 2017, is made up of nearly one hundred pairs of white ceramic shoes cast from discarded footwear that might’ve belonged to laborers, mothers, businessmen, or children. Some have neat perforations, others are stabbed by nails. Carefully arranged across the concrete floor of this gallery, they create a void. One cannot help but think of the souls the works commemorate. And, indeed, Baron’s sculptures come from a place of loss: The artist had always used items found at vintage shops and yard sales, and an unnamed tragedy that profoundly affected his family caused the