The title of John Houck’s first solo show in San Francisco, “Hands, See Mouth,” refers to a dream he had in which a book’s index featured an entry for “hands” that said to “see mouth,” and vice versa. This circularity is a vivid reality in etymological investigations. Houck suggests perceptual knowledge is equally fraught.
Curated by Jessica Silverman, the show combines work from three series: “Coordinate Systems,” 2016–, as well as “Playing and Reality,” and “Accumulators,” both 2013–. Houck’s art often demands attention to the vagaries of representational depth. These pieces depict colored,