Taking a small bite out of a larger sculptural practice, “Tony Feher 1986–1994” is a precious reminder of the late artist’s skill to turn the seemingly prosaic into the spontaneously poetic. Spanning eight years of Feher’s life, before and after his HIV-diagnosis, the fifteen works presented here demonstrate Feher’s distinct awareness of time (he died in 2016) and his close attention to form.

Several of the pieces in this presentation have never been exhibited before, offering us the gift of a first encounter. While Feher has recently received long overdue recognition for his drawings (a book of