
Caspar Heinemann
The irreverence of Caspar Heinemann’s exhibition “Glorie” is encapsulated by the title of a paper chain strung diagonally overhead like bunting, a formal allusion to fisting: And I’ve taken other guys there, too And it’s realer and more important to me than your world That’s all, 2022. A similar tone pulses through Novelty Theory, Heinemann’s 2019 poetry collection. (“Destroy purity but leave a droplet behind to thrive / to make sure you’ve really destroyed purity.”) This publication sits on the front desk alongside Free Files, 2022, a handful of emery boards inside a tin of Huberd’s Shoe Grease,