Lothar Hempel

  • THEIR FAVORITE EXHIBITIONS OF THE YEAR

    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions and events were, in their eyes, the very best of 2011.

    ERICKA BECKMAN

    Mary Reid Kelley, Sadie the Saddest Sadist (Armory Show, New York) Tucked away in the back of the Susanne Vielmetter Los Angeles Projects booth at the 2011 Armory Show was a monitor showing a costumed figure with exaggerated face paint, pacing in front of a hand-drawn black-and-white background. The piece was Mary Reid Kelley’s Sadie the Saddest Sadist, 2009, and the mixed metaphors, narrative snippets, and repurposed

  • THEIR FAVORITE EXHIBITIONS OF THE YEAR

    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions were, in their eyes, the very best of 2007. Contributions by ten of those artists have been reproduced below. For the rest, see the December issue of Artforum.

    CATHERINE SULLIVAN

    Daniel Mendel-Black, “The Paintings Are Alive” (Mandarin Gallery, Los Angeles) The eleven paintings in this show seemed to create a place for the palette of Play-Doh to oppress acrylic and oil into some perilous graphic universe of cynical optimism. Looking is like falling in these paintings; your eyes are