Louise Neri

  • Juan Muñoz

    IN HIS PREFACE to Naked Masks: Five Plays by Luigi Pirandello, Eric Bentley wrote of the Sicilian playwright's belief that the essentially human thing was not merely to live but also to see oneself living, to think. For Pirandello, dramatic form was a challenge to show more of the inner life of humans, to show people seeing themselves, to let characters become roles and speak for themselves. Thus, maintained Bentley, Pirandello's people “think” a lot, but their thinking is part of their living, not their maker's speculations or preaching. Like Pirandello, the artist Juan Muñoz believed in

  • The Whitney Biennial


    Doug Aitken

    Roman Anikushin and Bob Paris

    Michael Ashkin

    Robert Attanasio

    Burt Barr

    Zoe Beloff

    Douglas Blau

    Chris Burden

    Charles Burnett

    Louise Bourgeois

    Bureau of inverse Technology (BIT)

    Vija Celmins

    Abigail Child

    Francesco Clemente

    Bruce Conner

    Bryan Crockett

    Cultural Alchemy

    Philip-Lorca diCorcia

    Sam Easterson

    Wendy Ewald

    William Forsythe

    Leah Gilliam

    Michael Gitlin

    Felix Gonzalez-Torres

    Dan Graham

    David Hammons

    Ken Jacobs

    llya Kabakov

    Martin Kersels

    Annette Lawrence

    Iara Lee

    Zoe Leonard

    Sharon Lockhart

    Charles Long

    Kristin Lucas

    Kerry James Marshall

    Antonio Martorell

    Paul McCarthy

    Amanda Miller

    Paul D. Miller