Lucy Cotter


    Curated by Anna Manubens

    In Wendelien van Oldenborgh’s films, polyphony is not merely a musical texture; the artist layers dissonant voices—of academics, hip-hop artists, and activists alike—that collectively propose new social imaginaries. A Certain Brazilianness, 2004–2008, the earliest of seven pieces that will comprise this major exhibition of van Oldenborgh’s work, foreshadows the subjects that recur throughout her oeuvre: namely, neglected political histories and unvoiced contemporary positions. The architectonic installations in which her moving images are often presented reflect the