
Alicja Bielawska
“Exercises in interweaving time and places,” Alicja Bielawska’s latest exhibition, features monochrome portieres, colorful crayon drawings, and ceramic objects sparsely arranged along the walls, some in vaguely clocklike configurations. Together, these works appear not so much as a unified installation as a group of figures searching for their rightful place within the gallery.
Bielawska, who trained as an art historian before studying visual arts at the Rietveld Academy in Amsterdam in the mid-2000s, has elicited comparisons to Sol LeWitt, though her environments rewire viewers’ perceptions