Marcia Hafif

  • Beginning Again

    THE OPTIONS OPEN TO painting in the recent past appeared to be extremely limited. It was not that everything had been done, but rather that the impulses to create which had functioned in the past were no longer urgent or even meaningful. Tracing magic images, storytelling, reporting, representing in a one-to-one relationship a scene or figure in paint—none of these acts was credible in the way it once had been. Abstraction appeared to be used up; expression through shape and color was very familiar and had become meaningless. The process of flattening out the canvas had reached an end; formalist