
The Original Copy: Photography of Sculpture, 1839 to Today
In her seminal 1979 essay charting the possibilities for postwar sculpture, Rosalind Krauss pointed to photography’s imbrication within the medium’s “expanded field....
In her seminal 1979 essay charting the possibilities for postwar sculpture, Rosalind Krauss pointed to photography’s imbrication within the medium’s “expanded field.” After all, many site-based works migrated from the confines of the white cube only to return to it in the form of photographic documentation. Curator Roxana Marcoci locates this moment within the ongoing—but often overlooked—dialogue between the two mediums in an ambitious exhibition of more than 300 works by 118 artists (Eugène Atget, Constantin Brancusi, Fischli & Weiss, and Rachel Harrison, to name a