Matthew P. McKelway

  • rediscovering the Kano School

    THE KANO ARE BACK. This spring will see two major exhibitions on the art of this formidable clan, which held sway over Japanese painting for three and a half centuries through a virtual monopoly of the highest levels of patronage and a domination of artistic pedagogy throughout the Japanese islands. “Ink and Gold: Art of the Kano,” an exhibition opening next month at the Philadelphia Museum of Art, will, in its four-hundred-year sweep of major works, take the standard approach to Kano-painting exhibitions held over the past few decades. And the Kyoto National Museum will host “Kano Painters of