Michael Leja

  • passages April 21, 2017

    Dore Ashton (1928–2017)

    DORE ASHTON CAME OF AGE IN A GALVANIZING PLACE AND TIME—New York in the 1950s—when Abstract Expressionism was giving the art of the United States international significance and when partisan arguments over the proper way to interpret this art were flaring. The dominant voices in those arguments were male—Clement Greenberg, Harold Rosenberg, and Leo Steinberg among others—but a number of women were also shaping the critical discourse, including Aline Louchheim Saarinen, Elaine de Kooning, Belle Krasne, Katherine Kuh, and Emily Genauer.

    Even as Ashton’s early reviews covered a broad range of work,