
William E. Jones
Three time-based works dominated William E. Jones’s third solo show at David Kordansky Gallery. Projected floor-to-ceiling on three contiguous walls, In Mathew Brady’s Studio, Berlin Flash Frames, and Spatial Disorientationsilent works (all 2010) that employ, respectively, zooms, flash frames, and aerial photographyfelt aggressive, at times even dizzying in total. (Loosely recalling the enticing dare of Tony Conrad’s disclaimer at the outset of The Flicker, 1966, there was even a warning posted on Kordansky’s gallery door cautioning viewers about the potentially dangerous physiological