Miriam Felton-Dansky

  • performance October 03, 2019

    Tell It Like It Is

    STATISTICS TELL US THAT, at any given time, someone in our immediate vicinity has been raped—someone in our classroom, our office, someone ahead of us in line for coffee, or next to us on the subway. Which means, necessarily, that someone in our immediate vicinity has committed rape. We just prefer not to think that way, not to put the verb in the active tense, to consider that anyone—say, a fellow audience member watching Adrienne Truscott’s (Still) Asking For It on a Monday night—might have committed sexual assault. That would make rape a normal thing to do.

    Which it is, as Truscott forcefully

  • performance April 22, 2019

    Negative Space

    DYING IS A PROCESS, one that is both arduous and physically precise—so Faye Driscoll reminds us as we walk through a darkened theater wing to see Thank You For Coming: Space, which premiered as part of Montclair State University’s Peak Performances. This choreographic investigation of death begins when audiences step around (or accidentally on) a collage of art historical images taped to the floor. The pictures mostly depict the aftermath of violent acts: scenes of crime and martyrdom; pools of blood, splayed limbs. In one medieval painting, a smiling skeleton cavorts arm in arm with the living