Morgan Wong

  • picks November 08, 2017

    Toshio Matsumoto

    The presence of White Hole, 1979, a short, abstract film by Toshio Matsumoto, at the entrance to the gallery space not only attests to a certain curatorial wittiness (a white hole, in physics, being an area of space-time that matter cannot enter from outside) but also sets the psychedelic tone for the retrospective of this Japanese experimental-cinema pioneer. White Hole examines Matsumoto’s metaphysical quests amid his study of the Upanishads. Such Hindu connections can also be found in Everything Visible Is Empty, 1975, a boldly hued work that consists of meticulously planned intercuts of