Moyra Davey

  • Guy de Cointet, My Father’s Diary, 1975. Performance view, Greene Naftali Gallery, New York, February 4, 2009. Mary Ann Duganne Glicksman.


    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions and events were, in their eyes, the very best of 2009.


    “Pierre Bonnard: The Late Interiors” (Metropolitan Museum of Art, New York) You kind of get the feeling that Bonnard was a real artist. He was concerned not with the past (art history), present (his contemporaries), or future (his legacy), but with expressing himself in terms of his own perceptions, interactions, and experiences of the world. Whether of a room, a still life, or a loved one, each painting becomes

  • Diane Arbus

    NO ONE COMES TO DIANE ARBUS without a bushel of prejudices. She is the most demonized of the 1960s street photographers, so freighted by her reputation as bad girl and victimizer that it is almost impossible to truly look at her work. In “Pierre Leguillon features: Diane Arbus, A Printed Retrospective, 1960–1971,” recently on view at the Kadist Art Foundation in Paris, however, this is exactly what French Conceptual artist Pierre Leguillon attempted to make us do. To create the show, he trawled the Internet for issues of Esquire, Harper’s Bazaar, Nova, and other English-language magazines that