Nairy Baghramian

  • SUMMER READING

    NAIRY BAGHRAMIAN

    The Art of Freedom: On the Dialectics of Democratic Existence by philosopher Juliane Rebentisch (Polity Press) is a book that only conditionally has to do with art, and more to do with ethics and politics. But to imagine their exclusion from the discourse of art would be unconditionally unthinkable.

    Nairy Baghramian is an artist based in Berlin.

    CARISSA RODRIGUEZ

    When Hilton Als invited viewers to read Brenda Shaughnessy’s captivating collection Our Andromeda as part of his incisive exhibition at the Artist’s Institute in New York that so generously attests, “My art has always been

  • Greer Lankton, Double Jackie, 1985, Polaroid, 3 1/8 × 4 1/8".

    the Best of 2015

    TO TAKE STOCK OF THE PAST YEAR, ARTFORUM ASKED AN INTERNATIONAL GROUP OF ARTISTS TO SELECT A SINGLE IMAGE, EXHIBITION, OR EVENT THAT MOST MEMORABLY CAPTURED THEIR EYE IN 2015.

    EMRE HÜNER
    “Greer Lankton: LOVE ME” (Participant Inc, New York) Perhaps the greatest strength of Greer Lankton’s retrospective at Participant was its sincerity, the honesty with which the artist’s bracing work takes viewers into her world. Lankton’s carefully crafted dolls, placed alongside personal items and ephemera culled from the Greer Lankton Archives Museum (G.L.A.M.) and numerous photographs of the artist taken by

  • Guy de Cointet, My Father’s Diary, 1975. Performance view, Greene Naftali Gallery, New York, February 4, 2009. Mary Ann Duganne Glicksman.

    THEIR FAVORITE EXHIBITIONS OF THE YEAR

    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions and events were, in their eyes, the very best of 2009.

    RICHARD ALDRICH

    “Pierre Bonnard: The Late Interiors” (Metropolitan Museum of Art, New York) You kind of get the feeling that Bonnard was a real artist. He was concerned not with the past (art history), present (his contemporaries), or future (his legacy), but with expressing himself in terms of his own perceptions, interactions, and experiences of the world. Whether of a room, a still life, or a loved one, each painting becomes