
“Nancy Holt: Photoworks” at Haunch of Venison
2012, 9:56
A video recorded by Haunch of Venison for Nacy Holt's Photoworks show, in which she discusses many of her photographic works as well as sculptures.
A video recorded by Haunch of Venison for Nacy Holt's Photoworks show, in which she discusses many of her photographic works as well as sculptures.
LUCY LIPPARD: Mel [Bochner] mentioned a summer when you all saw a lot of each other.
ROBERT SMITHSON: I think it was ’66, because that was when I wrote my article “Quasi-Infinities and the Waning of Space,” where I included Eva.
NANCY HOLT: It’s true. We saw each other about four, sometimes five times a week. We went to Max’s [Kansas City] a lot, ate a lot at an Italian restaurant with Sol. I remember by the end of the summer Bob didn’t want to see an Italian dish ever again.
LL: When did you meet Eva? Do you remember?
RS: I think it must have been ’66. Sol introduced me to her.
NH: I remember exactly
SUN TUNNELS, 1973–76, is built on forty acres, which I bought in 1974 specifically as a site for the work. The land is in the Great Basin Desert in northwestern Utah, about four miles southeast of Lucan (pop. ten) and nine miles east of the Nevada border.
Sun Tunnels marks the yearly extreme positions of the sun on the horizon—the tunnels being aligned with the angles of the rising and setting of the sun on the days of the solstices, around June 21st and December 21st. On those days the sun is centered through the tunnels, and is nearly center for about ten days before and after the solstices.