
“Future Feminine”
Photography is not a fine art, John Berger wrote, “unless we include those absurd studio works in which the photographer arranges every detail of his [sic] subject before he [sic] takes the picture.” While only one of the five photographers featured in “Future Feminine,” Amanda Charchian, happens to work in commercial fashion photography—where detailed tableaux of objects and people are de rigueur—Remy Holwick and the duo of Prue Stent and Honey Long shoot portraiture whose audacious arrangements and costume would not be out of place in the pages of Vogue.
Charchian’s series “7 Types Of Love,”