
Reservoir Dogs
AFTER FOUR HOURS OF HUFFING MY OWN BREATH under a mask on the bus from Vilnius, stepping out in Latvia’s capital for the second Riga International Biennial of Contemporary Art (Riboca) felt like entering a pre-Covid wonderland: Masks were not seen anywhere, bars were full, and foreign languages spilled out into the streets. The surrealism intensified the next morning, when guests from around the world(!), their brains buzzing from the mimosas on offer, were greeted by Riboca’s founder, director, and, finally, the curator Rebecca Lamarche-Vadel under Ugo Rondinone’s rainbow-painted plywood poem