Nicole Brenez

  • ISMAÏL BAHRI

    Tunisian-born Ismaïl Bahri’s’s forthcoming exhibition, titled “Instruments,” seems a logical successor to “Uprisings,” curated by Georges Didi-Huberman and on view at the Jeu de Paume this past fall. The latter included Bahri’s Film à blanc, 2012, in which a blank sheet covers most of three adjacent screens. Only the movement of air across the sheet allows glimpses of what is happening behind, which is more audible than visible. This work exemplifies Bahri’s style, often characterized by a formal homology between the material support and the image—a