Osman Can Yerebakan

  • interviews January 14, 2020

    Jesper Just

    Jesper Just distorts rituals of movement through video and performance—two media he pairs in perverse combinations to destabilize museum architecture and to create plangent moving images that echo with anticipation and longing. His multichannel video work Servitudes—shot in 2015 at One World Trade Center on the occasion of his solo exhibition at the Palais de Tokyo in Paris—brims with a restrained yet intense kineticism as its two mobility-limited protagonists internalize the skyscraper’s haunted architecture. Last autumn and with seven performers from the American Ballet Theater, just made his

  • picks April 29, 2019

    Shilpa Gupta and Zarina

    “Speak, your lips are free / Speak, it is your own tongue / Speak, it is your own body / Speak, your life is still yours,” opens “Speak,” Faiz Ahmad Faiz’s 1941 poem. The Pakistani poet’s yearning for a voice amid oppression and unsettlement is felt in the works of Shilpa Gupta and Zarina in their two-person show, “Altered Inheritances: Home Is a Foreign Place.” Born four decades apart in India, the artists riff on drift and belonging; the floor plan of Zarina’s childhood home in Aligarh—before her family’s traumatic move to Pakistan after the Partition—inspired the exhibition space’s layout of