Peter J. Karol

  • slant September 27, 2017

    Extraction Point

    IF CADY NOLAND’S ART has over the years embodied a concern with “how to gain control in the face of chaos,” as Steven Parrino once put it, these anxieties continue to echo in her recent legal battles. In a lawsuit filed last month, Noland asserts that her name can no longer be associated with Log Cabin, a work she created in 1990. But her claims go even further: She declares that conservators’ material alterations to the sculpture’s facade (when they replaced decayed logs) created a new copy, violating her exclusive right to make new reproductions.

    The case submitted by her legal team invokes a