Phillip Greenlief

  • music August 23, 2018

    Ode to Destruction

    PETER BRÖTZMANN AND KEIJI HAINO are free improvisation elders who, as a duo, have developed a sonic theater of destruction. While composers use pitch, melody, and rhythm to establish themes and develop them, these improvisers use those tools to work in counter-intuitive ways to instigate instability and flux. Their recent show at the Chapel was SRO. While many Bay Area residents are mourning the gentrification of our cultural landscape, I honestly can’t remember a time when three hundred people gathered on Valencia Street to hear free jazz.

    In the late 1960s, critics compared Brötzmann to Albert