Portrait of the Artist, 1989, finds Rosalyn Drexler crouched against a black rectangular background in a suit and tie. She wears a wrestling cap and a colorful mask; a toy airplane grazes her head and one manicured hand, in a fingerless glove, covers her mouth. In her other gloved hand she holds a paintbrush the way Holly Golightly held a cigarette. Out of the brush, a cloud of pointillist color flows, surrounding the framed artist like the confetti borders in many of Georges Seurat’s compositions. She is defined by art-historical reference but not contained by it.
At once revealing and elusive,